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Edmund von Mach : ウィキペディア英語版
Edmund von Mach

Edmund von Mach (1870–1927) was a German-American art historian and lecturer on art.
==Biography==
He was born at Gaffert, Pomerania, Germany in 1870. He came to America in 1891, and was educated at Harvard University (A.B., 1895; A.M., 1896; Ph.D., 1900), where he was an instructor in fine arts from 1899 to 1903. He was also an instructor in the history of art at Wellesley College from 1899 to 1902, and thereafter lectured on the same subject at Bradford Academy. He is the author of ''Greek Sculpture: Its Spirit and Principles'' (1903); ''A Handbook of Greek and Roman Sculpture'' (1904); ''Outlines of the History of Painting'' (1905); ''The Art of Painting in the Nineteenth Century'' (1908). Of the ''Allgemeines Lexikon der bildenden Künstler'' he became American editor. After the outbreak (1914) of the European War he endeavored to foster a pro-German sentiment among Americans, and with this object in view wrote ''What Germany Wants'' (1914) and translated Paul Rohrbach's ''Der Deutsche Gedanke in der Welt'' as ''German World Politics'' (1915). In March, 1915, he debated questions of the war with Cecil Chesterton at Carnegie Hall, New York.

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